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Harry Simenon
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Post Number: 1631
Registered: 10-2003

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Posted on Thursday, July 19, 2007 - 06:19 am:   Edit PostPrint Post

Jane Austen fan submits her work anonymously to publishers... and receives a dozen rejections

http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=469342&in_page_id=1770

"It is a truth universally acknowledged that many of us who claim to have read a classic novel are telling porkies. Or have simply watched the film version instead. This even applies, it seems, to literary agents and publishers.

For when a budding author sent typed chapters of Jane Austen's novels to 18 of them, changing just the titles and characters' names, only one recognised her words.
Another managed to recognise they were 'a really original read'. But the rest simply rejected them or never responded, according to the man who posted the manuscripts, David Lassman.

"It was unbelievable," he said. "If the major publishers can't recognise great literature, who knows what might be slipping through the net?

"Here is one of the greatest writers that has lived, with her oeuvre securely fixed in the English canon and yet only one recipient recognised them as Austen's work."

Mr Lassman, 43, submitted opening chapters of three of Austen's classic works - Northanger Abbey, first published in 1798, Pride and Prejudice (1813) and Persuasion (1818).

He typed them out himself, and signed them Alison Laydee after Austen's early pseudonym A Lady.

To offer a few more hints, he called Pride and Prejudice 'First Impressions', the original title for the story, and wrote a return address of the Jane Austen Centre in Bath, where he works as the director of the Jane Austen Festival.

In response, the literary agency Christopher Little, which represents JK Rowling, said it was 'not confident of placing this material with a publisher'.

Penguin, which currently publishes Pride and Prejudice, responded that First Impressions 'seems like a really original and interesting read'. But there was no request to see the rest of the book.

Others to turn the works down included Bloomsbury, Random House, Harper Collins and Hodder & Stoughton. The only one who emerged with any credit was Alex Bowler, assistant editor at Jonathan Cape publishers.

His reply read: "I suggest you reach for your copy of Pride and Prejudice, which I'd guess lives in close proximity to your typewriter and make sure that your opening pages don't too closely mimic the book's opening. After all, there is such a thing as plagiarism."

Mr Lassman came up with the experiment when struggling to have his own novel published.

He said it highlighted the flaws in the publishing process.

"Getting a novel accepted is very difficult today unless you have an agent first, but I had no idea of the scale of rejection poor old Jane suffered."


Not very promising, is it?
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Todd Hunter
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Post Number: 3637
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Posted on Thursday, July 19, 2007 - 03:22 pm:   Edit PostPrint Post

I think the idea of sending classics (and popular novels) to agents and publishers has been done before...
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Stephen Lodge
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Posted on Thursday, July 19, 2007 - 07:53 pm:   Edit PostPrint Post

Maybe so - but it sure proves a point ~
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Todd Hunter
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Posted on Thursday, July 19, 2007 - 07:57 pm:   Edit PostPrint Post

That publishers (and readers) aren't looking for the same things today they were back then?
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Fred Dungan
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Posted on Thursday, July 19, 2007 - 10:18 pm:   Edit PostPrint Post

I publish classic literature and I would probably not have caught it. Mea culpa.

http://www.dunganbooks.com
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Harry Simenon
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Posted on Friday, July 20, 2007 - 02:10 am:   Edit PostPrint Post

I can imagine that a publisher is not familiar with every book ever published, but I would hope they would recognize quality when they saw it? Or perhaps the readers taste has changed?
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Todd Hunter
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Posted on Friday, July 20, 2007 - 03:36 pm:   Edit PostPrint Post

Or perhaps the readers taste has changed?
*touches finger to nose*
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Gloria Marlow
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Posted on Friday, July 20, 2007 - 06:11 pm:   Edit PostPrint Post

It is not surprising to me that a work written in the nineteenth century even if it is considered a "classic" would not be marketable as a new book in the present.

The story itself may be wonderful, but if the style is dated or stilted, the publisher would realize that right away.

I love Little Women, but I realize if I bought it as a "new" book by a "new" author, I may not get past the first page. The speech, style, etc. is just too different and wouldn't flow naturally as it did to those readers who actually lived at that time.
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Harry Simenon
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Posted on Saturday, July 21, 2007 - 01:39 am:   Edit PostPrint Post

That does sound like a plausible explanation Gloria. So perhaps there is still hope...
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